In the last post, we looked at some fantastic examples of early revolvers, such as the Collier.
The percussion cap was not a direct development from flintlocks, fulminates were discovered by Edward Charles Howard in 1800 and were initially used as a replacement for priming powder in a similar fashion to a flintlock (mixed with some other components). As well as being more reliable to fire, there was no cloud of smoke rising from the frizzen, giving a clear view right up until the moment the bullet left the barrel.
The first patent awarded for the percussion cap was to François Prélat in 1818, though there is a great deal of controversy over who actually invented it, with Joshua Shaw claiming to have invented it in 1814 (US patented in 1822). Other claimants include: Joseph Manton, Colonel Peter Hawker and Joseph Egg.
With the invention of the percussion cap, the format of the revolver could start to take its modern form, with one action operating each cylinder independently one after another. Before we get there however, there were a few alternatives that floated about in the early days. It took about 30 years before the percussion cap came into common military use in spite of its obvious advantages, as a result there were a few interesting civilian developments first, deciding how best to use it.
Some very early percussion guns used a frizzen-type system, with a hopper of caps that dropped one cap into the firing tray as the cylinder was rotated. However it was much more common to attach a cap to each chamber. Much simpler, much less likely to go wrong.
One format was the turret rifle/pistol, this had a disk with chambers drilled around the circumference, each loaded with a charge and ball. Now, the eagle eyed among you will notice something about this.
Each chamber is pointing in a different direction. 360 degrees of different directions, including back at the shooter. Now, with an unsealed cylinder there is a certain amount of uncontrolled flame around the chamber as you fire and there is a very small chance of a ‘chainfire’ occurring, where said fire jumps from one chamber to another, setting several other chambers off out of alignment.
So, if this unlikely event did happen, you could potentially shoot your target, followed in very quick succession by yourself. Although the design makes this occurrence incredibly unlikely, it seems that competitors to this design encouraged this urban myth to spread.
Another option that never really caught on was the Harmonica gun. Instead of a cylinder, you had a square bar, drilled at regular intervals for chambers, with a percussion cap nipple usually located on the top, which could then be stuck by the firearm’s hammer.
You’ll not find many of these about, those that were made as rifles aren’t too bad, but they make a pistol quite a bulky business, a bit too much so for a convenient carry piece. One famous maker (arguably the only famous maker) and the apparent designer of Harmoinca guns was Jonathan Browning. How on earth he had time to design and build guns among producing 24 children is a mystery to me, but he still managed to be the father of the John Moses Browning.
If you don’t know who he is, we’ll get to him much later on. He’s kind of important to modern firearms.
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